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Release Date for Deceptive Justice

Great news! We have a release date for Deceptive Justice, the second book in the Victoria Justice Mysteries—April 5, 2022. Fans will be able to pick up the book in paperback and eBook at Amazon, Barnes & Noble, Bookshop, Apple Books, GooglePlay, Kobo, Walmart and Target online, and anywhere else books or sold. I plan to have a cover reveal within the next sixty days. In the meantime, here is a sample of what’s on the horizon for our next installment:

When Victoria Justice finds herself on the phone with a mad bomber, she doesn’t think twice about springing into action to diffuse the situation. After all, the Bickerton Superior Courthouse is no stranger to all manner of crimes. However, a mysterious package found in the lobby a few minutes later leads to a building evacuation that has everyone pointing fingers, that is, until a car explodes in the parking lot killing a government official. Authorities search the area for clues and determine a recently vindicated arsonist is to blame, but the arrest sparks an alternate theory for Victoria who believes the real culprit is still at large and that she may have been the true target.

With no leads but a manuscript of the initial bomb threat and a faint audio recording of the caller’s scrambled voice, Victoria recruits former State Trooper Ashton North and local newsman Mike Slocum to help her weather the firestorm of community outrage. But can the two men refrain from killing each other long enough to keep Victoria alive and capture the murderer?

Fans of Knives Out, Law & Order, and Murder, She Wrote will love these killer courtroom cozies with their unexpected twists and turns. Order the first book in the series today, and look for Deceptive Justice in stores this fall.

PREORDER DECEPTIVE JUSTICE HERE!

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As a writer who often found herself working hard but never quite finishing everything, I found this class invaluable for fighting overwhelm and frustration because Sarra’s approach to organizational planning breaks things down into bite-sized chunks that make the impossible seem easy.

If you’d like to learn more about this course, please contact me through this site or simply go directly to the HB90 Bootcamp Homepage. Every member who signs up for the seven-day course receives a free quarterly planner from Sarra and lifetime access to the lessons. Enrollment is opens June 4. Apply today!

Agatha Nominations – Best First Mystery

Spring is in the air and that means the annual Agatha Awards are just around the corner. Poetic Justice is eligible for nomination under the Best First Mystery category and ballots were recently sent out to those planning to attend the awards ceremony held by Malice Domestic, July 14-17, 2021. I would encourage anyone who has received a submission form for this year’s awards to nominate my book for its unique heroine, a court stenographer turned amateur sleuth, and the underlying message it conveys about being underestimated by your gender or race.

Even if you are not eligible to vote, consider attending the event! As previously mentioned, the honors are hosted by Malice Domestic, a fan convention established in 1989 to celebrate the traditional and cozy mysteries best mirroring the works of Agatha Christie.* Hence, the name of the award, and the prestige bestowed upon any novel who receives the distinction.

Eligible books must have a murder-based whodunit at its core with no explicit sex, gore, or violence. The other awards given during the ceremony include Best Novel, Best Historical Novel, Best Short Story, Best Non-Fiction, and Best Children’s/Young Adult Mystery. Visit this great blog post by Gabriel Valjan to see all of the books eligible for nomination.

Remember, the event is open to anyone who wants to attend, and registration can be found HERE. I hope to see you there!

Photo Courtesy of MaliceDomestic.org

*Agatha Christie was an English writer who amassed sixty-six detective novels and fourteen short story collections in her lifetime. She is best known for creating fictional detectives Hercule Poirot and Miss Marple, but she also wrote the world’s longest-running play, The Mousetrap (1952 to 2020). Guinness World Records names Christie the best-selling fiction writer of all time since her novels have sold over two billion copies.

Want Great Reviews? Follow me on Goodreads!

I love reading books as much as I love writing them. My passion for literature is so voracious that I try to read at least one book each week. So if you’re looking to catch my picks in the mystery, thriller, romance, and self-help genres (my favorite categories), I encourage you to follow me on Goodreads where I post my thoughts on every book I purchase as well as recommend my favorites to everyone in my circle.

Here are two of the reviews I posted this week. You can also find some of them on my Twitter feed if you’re not yet a Goodreads member.

Until next time, grab a night light and keep reading!

A Review of Janelle Brown’s Pretty Things

BEWARE. If you’re expecting this year’s Girl on a Train or Something in the Water, you’re going to be sorely disappointed. Don’t get me wrong, this book is excellent for what it is on its own merits, but it has been marketed incorrectly. I was given a copy by a friend who thought it was a heist thriller turned psychological suspense, which it is for the first 50 pages or so. But overall, this book blends the poetic language of literary fiction with the “finding yourself” conceit often found in women’s fiction. So trust the reviews that note this is a character study where two women attempt to course correct their lives under the deeply rooted (and highly convoluted) set of circumstances created by their intertwined family histories.

But even with that knowledge, the pacing felt too introspective for me. There were whole chapters with no dialogue where we’re told what happens rather than shown. Each woman explains her side of the story, so the insertion of multi-tiered flashbacks often stifle the narrative flow at points where the story should blast off. Plus, many of the plot points seem to hinge on a series of odd coincidences (e.g. someone talks about the combo to their family safe in the middle of a crowded coffee shop) and unlikelihoods (e.g. an old blackmail letter still hangs around 12 years later or the dairy of someone not known to have one is found). And yet, the point of view the writer gives our heroines is so visceral that in most instances the plot-based faux paus, exposition, and clunky clues pay off in the end.

Even still, it doesn’t add up to an ending that is as gasp worthy as the book expects. Instead, it simply feels as if the author is more concerned with giving us a shocking twist than creating a conclusion that feels authentic. Not to mention, the final chapters are the one place where it might have been interesting to hear how the characters felt about what was done, but we get nothing except a surprisingly tidy Hollywood ending.

Would I recommend the book? Absolutely! The writing is excellent, and the lesson learned is noteworthy: Take responsibility for your own actions. Don’t let other people define who you are or what you become. Or to steal a line from The Terminator, “We have no fate but what we make.” BUT even with a four-star review, my warning remains: Those looking for a thrilling read are better off picking up The Sun Down Motel by Simone St. James (see review below).

A Review of Simone St. James’s The Sundown Motel

Who says you can’t judge a book by its cover? In fact, the only reason I picked up The Sun Down Motel was because the front page art looked oddly similar to the movie poster for the brilliantly twisty Bad Times at the El Royale starring Jeff Bridges, Chris Hemsworth, and the phenomenal Cynthia Erivo. (That’s yet another story I picked up without prior knowledge, but I digress). Of course, the similarities between the movie poster and book cover were probably intentional on the part of the publisher as both works are thrillers, but I am relieved to report that like its cinematic cousin, The Sun Down Motel is a deliciously eerie haunt that I’d gladly revisit again and again.

Don’t get me wrong, The Sun Down Motel and Bad Times at the El Royale have no similarities except that they both center on some shady sh*t going down at dangerously dated hotels. I only brought up the film to say that if you liked one you might like the other. But to be clear, The Sun Down Motel is a paranormal thriller, which may be off-putting to some—I’ll admit if I’d known spooks and specters played a role, I may not have read the book. However, the ghostly elements are handled in a manner that feels real (i.e. played more for gravitas and historical significance than horror) and thus gives the novel’s otherwise straightforward plot some much needed heart.

The main tale centers on Carly, a young college co-ed who has recently lost her mother to cancer, so she goes on a quest to explore her family tree by digging into the disappearance of her mother’s sister. The trip down memory lane takes Carly to Fell, New York, where she inadvertently adopts the same life her aunt had back in 1982—the audience knows this tidbit because the book alternates chapters between Carly and her Aunt Vivian. Of course, multiple POV is a well-worn literary technique at this point, but I have to admit this is where the novel shows its brilliance since the author seamless intertwines the two women’s adventures so that we feel as if we’re reading about one person with extremely high stakes. There’s even a hidden women empowerment message embedded within, so if you don’t like ghosts or scary stories, this is still well worth the read. The novel strikes the perfect balance between mystery, mischief, and morality with a conclusion that’s surprisingly heartwarming considering the demands put on modern thrillers to have some gruesome twist ending.

Five stars. I recommend you grab your blanket and a cup of cocoa because this is the type of book enjoyed by firelight (or nightlight).

Winter Media Roundup

The second book in the Victoria Justice Mysteries is officially heading down the long pipeline to publication, so I am happy this winter brought more opportunities to share new information about my main character and how I see her developing over the course of the series.

Remember, if you’d like first crack at all of the latest dish about me and my books, follow me on Instagram or Twitter, leave a review on Goodreads, check out what I’m reading and writing on Pinterest, sign-up for my newsletter, and order my latest release via Bookshop or Amazon.

In early December, I had a wonderful opportunity to give an extensive interview to Zeringue Marshal of Campaign for the American Reader, a blog dedicated to helping patrons read more books. The Q&A covers the hidden meaning behind my books’ titles, my connection to the main character, the inspiration behind my cozy thriller series, and so much more. You can read the entire interview HERE. Let us know what you think!

Zeringue also asked me to participate in the “The Page 69 Test,” where I analyze the scene from that particular page to see if readers can successfully gather the book’s essence and main conflict (i.e. assess whether the story is good based on a single moment). Canadian philosopher Marshall McLuhan believed that any reader who turns to the sixty-ninth page and loves what they find will be happy with the book as a whole. I certainly hope that’s true with you. You’ll find the excerpt from my book and the analysis HERE.

That’s all for now, lovers of literature. Visit me next quarter when I’ll have more information about my adventures and publications.

Until then, grab a night light and keep reading!

Poetic Justice Excerpt

A misprint in the initial run of Poetic Justice has come to my attention. There is missing dialogue starting at the end of page 207, which you will immediately notice since the last sentence is cut off in the middle. I apologize for this inconvenience, and I hope that the printer who mocked up the book for my publisher will rectify this in future versions. In the meantime, please enjoy the following excerpt which encompasses the seven pages missing from the hardback version. Thanks in advance for your understanding in this matter, and I hope you continue to support the novel regardless of this inconvenience.

“I’ve got to get to court. Come out, or I’ll have you arrested for trespassing and disturbing the peace. I’ve had enough games for one day,” said Beau Harriston.

With my head held high, I stepped into the cold and onto the busy sidewalk. Harriston locked the door without acknowledging my presence and rounded The Quad toward the courthouse. As I watched his back moving through the crowd, a fire welled in my stomach. He couldn’t get away with ignoring the issue. I raced after him.

“I know you’re up to something, Harriston,” I panted when I’d reached his side. “I don’t believe the Wannamakers would harass you if you weren’t harassing them first. Whatever you’re into needs to stop. Innocent people are getting hurt. Did you know Chance—another one of your unsavory clients—attacked me yesterday? He and Phyllis Dodd threw me into a dumpster. Don’t you think it’s a little odd that his wife weasels her way out of a drug conviction and now he’s running around with the state chemist who was supposed to testify in her case?”

At that point, Harriston stopped and turned on me so quickly the trio of parking enforcement officers walking behind him had to stop short. One of them even muttered a few curses at Harriston’s expense. The old attorney, constantly aware of his public image, smiled at the women and inclined his head in polite regret. Once they’d passed, he glared at me and cut a hand through the air in a sharp hacking motion that signaled for me to shut up and get lost.

I ignored him. Emboldened by the safety of having witnesses to any possible malice, my words bubbled over.

“If you or your clients had something to do with that drug switch or the judge’s murder, I am going to find out about it. Corporal North already told me Chance has been dealing drugs for years. And despite that pious sob story you’re pedaling, I know you think you have a chance to replace Ms. Freddie now that she’s gone. Just don’t be surprised if whatever you and your clients are hiding blows up in your face.”

“Listen to me, young lady.” He pointed a fat finger at my nose. “I understand you’ve now had—shall we say—challenging encounters with two of my clients, and I sympathize with your predicament. However, I rebuke your attempts to put them on trial through innuendo and conjecture. Your allegations about drug tampering and distribution are scurrilous. Have you ever seen Chance or Langley sell drugs? Talk about drugs? Do drugs? You’d do best to check your sources.”

He took a step to depart but stopped and leaned down to whisper a cryptic message in my ear. “Everyone is innocent until proven guilty, including me. Don’t be so quick to suggest I’m part of some grand conspiracy just because I do not care for your Judge Wannamaker. No matter what you think of me. I’m not the only person with skeletons in their closet. Maybe you should look a little closer at some of your so-called friends.”

With that, he swaggered toward the courthouse and left me adrift in a sea of suspicion.

Three scones, two laps around The Quad, and one cell phone purchase later, I walked into the sterile marble lobby of the industrial complex where The Bugle and several other news outlets lived. The goal was to gain access to The Bugle’s sole investigative reporter, Mike Slocum, and share my concerns about Ms. Freddie’s and Mr. Stevenson’s deaths.

I’d Googled Mike the moment I got my replacement phone and found he was an even-handed journalist who seemed ahead of the curve when it came to the dirty dealings in Bickerton. More importantly, he had no personal ties to the deceased and no obvious motive that would keep him from hearing me out. After the one-sided conversation with Harriston earlier that morning, a civil exchange of facts was what I craved.

I approached the information kiosk in the center of the lobby and found the same amber-haired receptionist I’d encountered on my visit with Ashton. The hour was too early for lunch, but she gazed at her computer with the same steely concentration she’d given her cheese curls throughout my last visit.

I leaned across the counter to get her attention. She didn’t look up.

“Excuse me, miss.” I said to the crown of her head. “My name is Victoria Justice. I’m here to see Mike Slocum. I have some information I’d like to share.”

“Tip line’s over there.” She raised a hefty arm to point at a white phone on the wall by the restrooms. “If you want to talk to Mr. Slocum, dial star eight two five five.” Her voice was so flat, I wondered if she was animatronic. “If he likes your story, he’ll come down.”

I followed her instructions and found myself on the phone with the reporter.

“Hello. Mr. Slocum? My name is Victoria Justice, and I’d like to talk to you about—”

“Why does that name sound familiar?”

“Well, we met the other day when I dropped off the Langley Mulligan trial transcript, and my mother just got elected mayor so you might have seen me at—”

“No, no. Well, yes and yes, but you’re the one…aw, man, I could kick myself for not recognizing your name when you came by before.” His voice pitched upward in excitement. “You’re the one from Tuesday morning—from when we were trying to set up interviews outside the courthouse. You’re the woman the crowd wrangler told us about. You discovered the murdered judge, right?”

“That’s correct.” The words tasted bitter on my tongue, and I hated him asking the question as if it were a celebrated mark of distinction—though I hoped the recognition garnered me a receptive audience.

“Tell the receptionist I’m letting you up. Take the elevator to the third floor. I’ll be there when you arrive.”

I did what I was told.

“What’s on your mind, Ms. Justice?” Mike said as the elevator slid open to reveal his gangly form.

“I’d like to share some information about the deaths of Judge Wannamaker and DAG Stevenson. The festival may have been a setup—”

“Ha. That’s the word of the day. Everybody in town’s been calling and claiming they saw strange things during the festival.”

“What kind of strange things?”

“Not so fast. You’re on my time. I get to ask the questions.” He stayed polite, but his raspy voice was firm. “Now, I love a good tall tale, but why come to me? Why not go to the police?”

“I’ve already talked to the police. I told them I think the deaths are related and Stevenson was murdered too, but the detective in charge won’t listen.”

He breathed heavily for several heartbeats. When I’d almost given up on a reply, he cleared his throat. “What makes you think Stevenson was murdered?”

I stepped away from the elevator, deeper into the cramped waiting room of The Bugle, but he placed a sinewy arm in my path as if to suggest I couldn’t go farther until I’d earned the right.

“Stevenson’s suicide letter confesses to the judge’s murder,” I stammered, “but I think it’s all a cover-up for the real killer—well, I guess I should start by saying, there is a suicide letter, and I read it. I don’t know if the police have released that information yet but—”

“Yeah, yeah. We already know about the note and the confession.” He stood firm but used his hands to wave away my words. “Some city councilman is running his mouth all over town about finding it. He even managed to snap a picture on his cell. WSYS will beat us to press on that with their noon broadcast, but we got the scoop. The info is already up on our website. What else you got?”

I told him my theory about Stevenson’s signature, showed him the PDF of the receipt from Cake & Kettle, and explained the real killer may very well be one of the people in court at the time of Langley Mulligan’s trial.

With that, Mike led me to his cubicle.

“Sorry to break it you,” he said over his shoulder as he rounded the grungy tabletop that was his desk. “The Wannamaker investigation is basically closed.”

“What? Seriously? If that’s true, why did you put me through all—”

“I wanted to hear your story. Helps to verify my other sources. Don’t take it personally. Sit down.”

I plopped into the canvas chair wedged between his desk and the padded wall of his miniscule workspace. Ringing telephones and the voices of other reporters clamored from all directions.

“Wannamaker’s official cause of death,” he sorted through the papers on his desk, “murder via traumatic asphyxia caused by aggressive thoracic compression. The cops are following through with the idea that Stevenson killed the judge and hung himself. The way I hear it, he’s the only solid lead they had.”

“If the details of the suicide letter are hitting the street, everyone in town is going to know about the confession. They’re going to think it’s real.”

“Maybe it is. The bathroom where they found Judge Wannamaker held no fingerprints. All they found was some suspicious talc, which could have come from latex gloves used by the killer. And word is, surveillance footage puts Stevenson near the murder.” Mike opened his laptop. “But then again, maybe the note is a hoax. Without any witnesses to the murder itself, the killer could be anyone.”

“That’s exactly my point,” I said. “Especially since, as far as the cops know, Beau Harriston was the last person seen with the murder weapon and at least three other people were near the crime scene. Shouldn’t that be enough to keep the investigation open?”

“Maybe. But when a government official is murdered, a quick confession trumps all that.” Mike’s boyishly round face crumpled into a series of distressed grooves. “Of course, the cops can’t make the official declaration about Stevenson’s suicide or his role as the killer until they receive a complete autopsy to rule out foul play.”

Mike stopped to type a few commands on his keyboard. “My source at the ME’s office says results are still pending, but initial findings indicate Stevenson’s neck as the sole point of trauma. No scratches. No defensive or offensive marks. It could be just a matter of days before the cops close both cases.”

“In other words, I just wasted ten minutes of your time?” My voice was so small I surprised myself.

“Nah. I wouldn’t have let you up here if I didn’t agree with you on a gut level. With the suicide note in circulation, I think your side of the story might be worth exploring. I mean, a confession that gets the judge’s murder solved in the most public way possible—before an investigation can really even begin? All of it comes off as a little too convenient, if you know what I mean.” He leaned back. “Talk to me about what else you think you know, and I’ll decide what’s worth following up on.”

“I’m happy to share.” I clasped my hands. “But the signature and a brief conversation with Stevenson before his death are all I have, and I don’t—” I thought about my run-ins with Langley and Chance. “I don’t want to be accused of making stuff up. I’ve already had enough trouble this week.”

“Don’t worry. You’re an anonymous source. We’ll stick with the facts. With a little more investigation, I’ll ask my editor if he’d consider this for print with the slant that maybe….” He narrowed his dark eyes and the ebony skin around them crinkled, “…the state police are rushing through both investigations because of the political ties and the public display.”

That sounded reasonable to me. Definitely the conclusion I’d come to thus far.

“I’m curious though,” he grinned wide like a hungry cartoon shark, “just between you and me, if Stevenson isn’t the killer, then who? Talk me through the players. What’s the angle?”

I considered the events of the last three days: the missing drugs, Ms. Freddie’s body on the bathroom floor, Maggie’s cynicism about the murder, Ashton’s obsession with Chance, Phyllis’s questionable alliances, the Mulligans’ duplicity, Harriston’s evasiveness, and the hours I’d spent the night before pouring through audio. A long, exasperated breath escaped my lips.  

“That depends. How much time have you got?”

CHAPTER 26 begins on the next page.

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