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Victoria Justice Mysteries Acquired by Level Best

I am proud to announce that Level Best Books has acquired the Victoria Justice Mysteries. This means a new set of covers and a fresh marketing campaign. The downside is that the first two books will soon be pulled from many of the popular retail sites as we make the move to the new publisher. I will keep you abreast of each rerelease, but here is the current schedule:

Poetic Justice – March 5, 2024 – Rerelease

Deceptive Justice – March 5, 2025 – Rerelease

Vigilante Justice – March 3, 2026 – NEW!

Thank you in advance for your reviews and support on these new and rereleased titles.

Mindset, Marketing, & Productivity: Books for Building a Stronger Writing Career

Books for Building a Stronger Writing Career

Does it irk you that almost every article boasting “must-read” books for writers lists the same five titles—On Writing, Bird by Bird, The Elements of Style, Daily Rituals, and Ernest Hemingway on Writing?

Don’t get me wrong, those are outstanding books. And of course, the best way to master any skill is to model experts in your field. However, none of these works cover mindset, marketing, or productivity, which are all elements every writer must juggle if they expect to have career longevity, particularly in the world of indie publishing. But even if you’re working toward a traditional book contract, the aforementioned triumvirate is paramount since writers ultimately become responsible for renewing their own creative well while at the same time pumping out two or three books a year in order to capitalize on what little marketing the publisher provides.

And now, with social media becoming the primary hub for both world news and international self-promotion, the best way for an author to protect their financial interests is to build a brand that cultivates a loyal and voracious audience willing to buy books and products regardless of the mode or medium. To help writers with this changing dynamic, I’ve identified 13 books covering mindset, marketing, and productivity. These books outline everything from goalsetting to brand building to avoiding burnout so that you can successfully balance your passion for writing with the realities of every day life and ultimately build a career that will last a lifetime.

Mindset

Mindset: The New Psychology of Success (2006) by Carol S. Dweck, Ph.D.

The book’s conceit is simple: People with a fixed mindset are less likely to succeed than those with a growth mindset. You’ll be surprised how acknowledging this simple truth will revolutionize your self-discipline and perseverance. And for those who worry that they aren’t smart enough or weren’t blessed at birth with the gift of genius, Dweck also tackles the debate of intelligence versus natural talent. She uses scientific research to prove that both acumen and ability can be cultivated, noting our capacity for improvement, whether innate or learned, is malleable.

The Desire Map Experience: A Guide to Creating Goals With Soul (2014) by Danielle Laporte

A book focused on using your heart, not your head, to discover what’s most important about your health, happiness, and career. Sounds crazy, right? On the contrary, working to pinpoint your “core desired feelings,” i.e. figuring out how you want to feel or determining which emotions emerge when you’re operating at your best, is a foolproof way to judge what’s worth doing and what isn’t. After all, isn’t life about doing more of what works and less of what drains us? Sure, this book can get a little hippy-dippy, but crafting goals based on feelings rather than societal expectations removes the pressure of being perfect and puts the focus back on YOU, which increases the likelihood of success.

The Genius Zone: The Breakthrough Process to End Negative Thinking and Live in True Creativity (2021) by Gay Hendricks, Ph.D.

Hendricks is the author of The Big Leap (2009), which I also recommend because in that book he discusses the idea that we all have an upper limit problem that we must remedy if we’re ever going to meet our potential. Or to put it plainly, every person has a subconscious threshold for how much success they can handle before they sabotage themselves, and we must work to slay that limitation if we’re ever going to take our lives to the next level.

However, I am more partial to The Genius Zone because, in addition to providing solutions for tackling the upper limit problem, this more recent book emphasizes two things we need to remember when goalsetting: recommitment and passion. Just because you failed today, doesn’t mean you should give up. Try again tomorrow. And if you have a true hunger to do something, especially if you’re good at it, put all of your energy into that place of power, which Hendricks calls your “zone of genius.” You will find that the cumulative effects of those two things alone will change your life forever.

Finish: How to Give Yourself the Gift of Done (2018) by Jon Acuff

Acuff describes the mindset strategies in this book as being “counterintuitive,” but I’d describe them as the perfect common sense guidelines every writer needs to hear since we’re often raised on the mistaken belief that good writing stems from an elusive wellspring of creative genius. Acuff quickly busts that myth by noting that when we chase perfection, we are subconsciously blocking our ability to finish. In other words, the message we’re sending our brain is that a project isn’t worth doing unless it’s flawless.

Instead, be kind to yourself. Yes, we want to stretch when it comes to goal setting, but we don’t want to be so ambitious that we talk ourselves out of the process before we even begin. To avoid this pitfall, Acuff advises cutting goals in half, doubling your timeline for completion, and anticipating failure with a backup plan—all methods that will make your goalsetting journey more enjoyable thus increasing the probability of getting the job done.

Dear Writer, You Need to Quit (2019) by Becca Syme

Becca Syme is a Gallup-certified strengths coach, USA Today bestselling author, and founder of the Better-Faster Academy where she helps writers maximize their success by identifying which productivity methods align with their personalities. However, she is probably best known for her QuitCast for Writers Podcast where she discusses the things authors need to stop doing in order to discover the least painful path to success. Like her podcast, this book goes in-depth about the most common writer pitfalls and why we should avoid them—reasons born mostly from the mantra, “question the premise.”

Syme believes that writers are often taught harmful one-size-fits all approaches to our careers like writing every day or writing to trends or pursuing traditional publishing over indie as the only way to succeed when such truths often don’t apply to most people—nor do they make any sense when put to a reality test. Syme believes that every writer must find his or her own way and that means trial and error or even doing some things that seem to buck the common gospel touted by the writing community. In Dear Writer, You Need to Quit, expect to read about things like the unfounded obsession with writing a book a month, the detriment of measuring our progress against those around us, and tips for staying the course when you’ve lost your way.

Since this book’s publication, Syme has written an entire series that uses the “question the premise” mindset to cover such topics as burnout, writer’s block, how to foster creativity during tough times, and methods for developing one’s intuition. Syme’s work is essential for anyone who desires the truth about self-sabotage and self-care.

Marketing

When the average person learns a few marketing techniques, they apply them once (maybe twice) and expect the world to fall magically at their feet. Don’t fall prey to the mentality of the average person. Why? Here’s the truth: Brand building is just like anything else; the techniques only work if you work it—and that means tweaking your methods until you find what works best for your niche then following through with persistence and consistency. I state this up front to remind you that while all of these books listed offer solid advice, you can’t expect the knowledge alone to make you rich.

You must first endeavor to craft a distinct voice. Then you must assess the marketplace and take action in a manner that suits your career goals. Remember, success doesn’t happen in a vacuum. You can be more talented than Shakespeare or more prolific than Nora Roberts, but if you don’t understand where your work fits into the marketplace or you’re not willing to figure out how to publicize the work, you’re doomed before you even start.

The Business of Being a Writer (2018) by Jane Friedman

Jane Friedman is a former publishing executive and editor who has written several how-to books for writers including Publishing 101, What Editors Do, Literary Publishing in the 21st Century, and the Beginning Writer’s Answer Book. Her latest work encapsulates her experiences into one comprehensive guide aimed at helping fiction and nonfiction writers discover how to set realistic goals for achievement and how to market themselves once they’ve targeted their niche. To achieve this feat, she divides the book into five sections—establishing a writing career, understanding the publishing industry, getting your book published, laying the foundation for entrepreneurship, and making money as a writer. Friedman writes from the belief that although business savvy may not compensate for mediocre work, an understanding of the publishing industry from the inside out will reduce author frustration and lead to a more productive career over the long haul.

If you want my full review of this book, head over to the blog at Submittable.

Influence: The Psychology of Persuasion (Expanded Edition – 2021) by Robert B. Cialdini, Ph.D.

While I am sure Cialdini would hate me touting this as a marketing book, the content speaks for itself. Influence covers seven principles every writer needs to know to become a master persuader, a necessary edge for anyone attempting to sell their book in a tight market. Here is a quick outline of each tactic:

  • Reciprocation: This is the concept that when you give something away free first, your audience will feel obligated to repay your kindness with a purchase.
  • Commitment and Consistency: This is the idea that if we convince our audience to make a small commitment, they will continue to follow through on even larger commitments because of our basic human need to remain consistent when we make an initial promise. You can see this persuasion tactic at work when a company initially offers a low price on a monthly membership, assuming that most people will honor the obligation even when the fee rises in subsequent months.
  • Social Proof: This is the use of customer testimonials or the act of aligning yourself with other successful brands to show that your work is trustworthy and reliable.
  • Liking: People tend to align themselves with brands they like or with people who they have things in common. That’s why we ask our friends for recommendations or lean toward products endorsed by our favorite celebrities even though there’s no real indicator of that product’s superiority.
  • Authority: Experts and those in a position of authority gain the trust of an audience far more quickly than the average person. Therefore, it is best to put your knowledge, awards, or credentials on display as a way to elevate yourself above the competition.
  • Scarcity: As any child of the eighties Cabbage Patch kid craze knows, when the audience believes something is in short supply, they want it even more. Shortages imply a high demand. That’s why when you’re buying a concert ticket, the screen header declares there’s only two seats left at that special price. The ticket retailer is manufacturing scarcity to prompt you to act.
  • Unity: This final method of persuasion hinges on man’s desire for community. Brands can easily turn solicitations into sales by convincing the audience they’re family. I’m looking at you Olive Garden.

How to Market a Book (2017) by Joanna Penn

Joanna Penn is a New York Times and USA Today bestselling thriller writer, but she is probably just as well known in indie writing circles as one of the pioneering booktreprenuers, having sold almost a million books to readers in 169 countries and 5 languages. How to Market a Book is the second entry in her ever-expanding line of self-help books for authors (14 titles as of this publication) which includes subjects such as audiobooks, business planning, public speaking, mindset, and productivity.

The lessons in How to Market a Book are designed for anyone serious about cultivating habits that will help develop a long-standing writing career—indie and traditional, newbie to veteran. Some of the key topics covered in her text include: How to get customer reviews and find influencers to promote your book; how to coordinate paid advertising through Facebook, Amazon Ads and organically through algorithm hacking; author branding; email marketing; content marketing; blogging and podcasting; social networking; and booking professional speaking gigs. Best of all, she has the amazing Creative Penn Podcast where you can connect with her and ask in-depth questions about these topics and so much more.

Productivity

Vowing to write a book in a month is one of those declarations that sound impressive because who doesn’t want to maximize their time and achieve a level of productivity that will enable more career opportunities? However, making such promises or pushing ourselves to the brink can never end well because we’re ultimately faced with two challenges: How do we juggle the struggle to be creative with our daily lives, and how do we sustain such a daunting pace for the long haul? Obviously, the answers are different for every person, but I have found that optimizing one’s productivity is often more about working smarter than working harder. Therefore, I have curated a list of productivity books geared toward writers that emphasize stress reduction and creative renewal. You will find that none of these books are new or even innovative in their ideology, but each of them offer the common sense kick in the pants every author needs to avoid burnout and build a career that will last a lifetime.

Make Time: How to Focus on What Matters Every Day (2018) by Jake Knapp and John Zeratsky

Feel like you’re constantly on the go but never getting anything done? This book gets you off the busy bandwagon and onto the path of productivity by learning to live more intentionally through the use of daily highlights. The purpose of creating such highlights (in advance!) is to place unflinching focus on tasks that will not only use our time most efficiently but also produce enough forward movement on our key projects and goals that we feel like we’ve had a win for the day.

The idea is that if we plan for a big win, we’re more likely to achieve it. But more importantly, shooting for a big win that we can quantify, helps to eliminate that feeling of running around but getting nothing done. But the twist that makes this book special is that the authors claim that these daily highlights don’t necessarily need to be career-oriented or even large in scale to have a profound effect. You simply need to find one thing in each of the following categories: urgency, efficiency, and joy. If each day you are able to complete three major things—i.e. something you deem pressing, something that satisfies a need, and something that brings you passion—you’ll walk away from each day feeling like a winner.

Smarter Faster Better: The Transformative Power of Real Productivity (2017) by Charles Duhigg

Duhigg is a Pulitzer Prize winning journalist and the New York Times bestselling author of The Power of Habit (another great book you should grab). As for Smarter Faster Better, the book’s main takeaway can be distilled into one sentence: Realize your tasks are a choice, not a chore.

In other words, reframe the steps you take toward any project as a decision that highlights something you value or gets you one step closer to achieving something meaningful. Of course, this is easier said than done, but taking a moment as you plan your day to outline three reasons why the steps you’ve chosen are important, will help motivate you.

Duhigg also notes that finding ways to exercise your personal power by putting boundaries on your time and energy—and hence, taking some measure of control over the item or event—can provide a sense of empowerment that will spur you forward when motivation is low. To quote Duhigg directly, “When people believe they are in control, they tend to work harder and push themselves more. They are, on average, more confident and overcome setbacks faster.” This book is an outstanding motivational tool if you have tons of great ideas but haven’t been able to execute.

Overwhelmed Writer Rescue: Boost Productivity, Improve Time Management, and Replenish the Creator Within (2017) by Colleen M. Story

Story uses her background as a wellness writer for publications such as Healthline and Women’s Health to put a unique mental fitness spin on why artists experience overwhelm and self-sabotage. Her techniques on how to expand our writing time and sustain creativity are the perfect roadmap for professionals who feel bogged down by deadlines or beginners who need motivation to stay the course when the road gets rough. Some of her tips include clearly defining our goals, chunking them down into three small tasks per week to avoid burnout, and rewarding ourselves for even the smallest success as a way to train the brain to see writing as fun. She also identifies seven productivity saboteurs, like perfectionism and self-doubt, and outlines how to conquer them in favor of confidence and consistency. Basically, any writer who feels stalled due to a lack of passion for the craft should invest in this book to learn how to get unstuck.

If you want my full review of this book, head over to the blog at Submittable.

The Artist’s Way: A Spiritual Path to Higher Creativity (1992) by Julia Cameron

Many know Cameron from the concept of “morning pages,” but this book also provides a twelve-tiered approach to unblocking the things that staunch creativity. For example, Cameron recommends every writer find at least an hour a week to spend on a creative endeavor that isn’t writing. She calls this the “artist’s date,” and I believe this renewal of the creative well allows us to see things differently and more deeply. Such an activity is essential as we claw our way out of depressive depths of a pandemic where writers were often overextending themselves in order to take advantage of the additional time allotted during quarantine.

Another one of her key tips is the “creative cluster,” similar to the master mind group concept attributed to Napoleon Hill, where like-minded individuals come together to support each other in their artistic endeavors. Cameron’s words were originally published thirty years ago, but her concepts are more relevant than ever. I highly recommend this work to anyone seeking writer-related tips on self-care and artistic passion.

The Practice: Shipping Creative Work (2020) by Seth Godin

Although more a blog compilation than a cohesive book, Godin reminds us that consistency gained through honing our craft is far more important than chasing trends and that success will come to those who commit to their passion. One of the passages I found most illustrative of these deceptively simple concepts is his anecdote on learning to juggle. He states that most people fail because they lunge out of position in order to catch the next ball. When we move away from the methods and practices that bring us results to lunge after what everyone else is doing, we lose our momentum and never gain progress in the areas best suited for our growth. This disconnect causes the kind of emotional pain that ends careers, and Godin believes writers interested in building a long-standing backlist should learn the difference between risks worth taking and risks that simply put us out of alignment.

Final Thoughts: Even though each of these books have a specific philosophy about mindset, marketing, productivity and what it means to maximize oneself for success, it is still up to you to find a stress-free way to make that path your own. Remind yourself daily why you want to be a writer and define what success means to you. Once you’ve established your motivations, designing an action plan will be easier, succumbing to burnout will be less likely, and setbacks will seem less daunting because your impulse to succeed will have a definite purpose.

Craft Killer Fiction Community is LIVE!

The Craft Killer Fiction Community is LIVE!

For those who have been asking whether I have any Writer Productivity tools available online, the answer is a resounding YES! We just launched an online community for those who want personal guidance and support as they navigate their book journey. It’s absolutely free and open for you to join today.

Your invitation is just a click away. Follow the link below to join the Craft Killer Fiction Community—a group of motivated creatives from all over the world who want to improve their writing and connect with like-minded artists. The group is designed to give you the freedom to discuss fiction techniques, book marketing, querying, and so much more. And this opportunity is open to everyone from hobbyists to professionals and from mystery writers to romance.

The great benefit of the community is that this is also a place where you can connect with me through the live chat feature during my open office hours every Monday, Wednesday, and Friday from 4:00 p.m. to 6:00 p.m. We also have weekly video hangouts via Zoom. Those are every Monday at 2:00 p.m. Eastern. The one-hour sessions are exclusive for community members, so you must join to gain access to the link. These hangouts are a fantastic opportunity to share your work, ask me questions, encourage others, or just relish in the beauty of having our own Craft Killer Fiction Community.

We also have several classes available:

  • 3 Steps to Crafting a Killer Cozy Mystery
  • Crafting Characters of Color With Care and Creativity
  • Understanding Unreliable Narrators
  • Create the Perfect Author Tagline in 30 Minutes or Less

Sign up today and start making connections immediately. You will also be the first to hear about all of the freebies and workbooks as they become available.

Click here to join the Craft Killer Fiction Community TODAY!

One Unreliable Narrator – Two Gigs!

Unreliable Narrators

We love unreliable narrators like Tyler Durden from Chuck Palahniuk’s Fight Club or Amy Dunne from Gillian Flynn’s Gone Girl, but we rarely talk about how such narrators are written and what makes the characters so memorable. So when I was given an opportunity to speak at the 2022 Craftfest held at ThrillerFest XVII, hosted by the International Thriller Writers in New York City, I decided to tackle the topic to discover: What are the benefits of using an unreliable narrator to tell a story? What is the purpose of unreliable narrators in fiction? And when it’s all said and done, how can writers reveal their unreliable narrator without angering the audience?

But first, what is an unreliable narrator?

An unreliable narrator is someone whose storytelling lacks some level of veracity or credibility and this inaccuracy produces a void between the story’s reality and the narrator’s reality, which the reader must then bridge and eventually fill. In contrast, the reliable narrator—i.e. the type most writers strive to incorporate—uses their personal perspective to tell readers all the information they need to know and does so as accurately as possible. However, the truth is that all first-person narrators are unreliable because they are telling the story based on personal bias and because memory itself is a faulty illusion filtered through past experience and one’s level of vested interest in the story. In other words, your job as a writer is to decide how trustworthy or untrustworthy you plan to make that lead character.

With that in mind, we should note that the degree of unreliability runs on a scale from mild to heavy. This means you can even develop characters that have layers of unreliability (e.g. they’re unreliable only about things related to themselves but honest otherwise) and that a story doesn’t need to tell the whole truth to still be true! Plus, when you use the unreliability technique—especially to its fullest extent—you can reveal that device to readers at various times: immediately (The Perks of Being a Wallflower), gradually (Gone Girl), or late enough to become a major plot twist (The Murder of Roger Ackroyd). But however you choose to go about it, keep in mind that this approach to viewpoint is very powerful since no one has more control over the plot—who, what, where, when, and why—than the narrator. Remember, the narrator controls the pacing, diction, who to root for, how the audience should feel about what happens, and the moral compass for the story as presented to the reader.

In Pícaros, Madmen, Naīfs, and Clowns: The Unreliable First-person Narrator by William Riggan, the approach to unreliable narration is broken down into five types.

  • Pícaro – one who exaggerates or misrepresents events for the purpose of bragging
  • Madman – one who is dealing with trauma, mental illness, or emotional flaw that makes it difficult for them to interpret events accurately
  • Clown – one who doesn’t take things seriously and thereby toys with the common narrative conventions
  • Naïf – a naïve or inexperienced narrator who views things from an innocent perspective
  • Lair – one who deliberately lies about events or hides important information

Remember, these categories aren’t black and white. As with many things in fiction, shades of gray exist, and you can take advantage of that by using several types to make your characters more complex. For instance, it could be argued that Alex from A Clockwork Orange is both madman and clown. So with today’s heightened use of the technique, you may find yourself mashing up the categories or breaking them into new chunks like the supernatural where the narrator’s unreliability comes from some sense of magic or otherworldliness (think The Sixth Sense) or the outsider, i.e. someone with a skewed view because they’ve been scorned in areas based on race, class, culture, or gender (think Ralph Ellison’s novel The Invisible Man). Or it might help to simply think of unreliable narrators as deliberate (ones who know they’re deceiving and why) versus inadvertent (ones who believe they are telling truth or are doing their best despite shortcomings).

Regardless, the benefits of using the technique properly are multifold since it can pack a powerful emotional punch, teach a lesson, add conflict and characterization, or force the reader to dig deeper into their interpretation of the story as they search for the line between fantasy and reality.

However, the key to creating an effective unreliable narrator is to provide clues throughout to indicate the truth about your narrator or to show (in retrospect!) how and/or why they misrepresented events. This is doubly important when using an inadvertent unreliable narrator who may never have enough information to reveal the misconception on their own. You can do this through the other characters or the environment. Failure to do this will leave the reader feeling cheated upon the reveal. Remember, if a character is unreliable and there isn’t a method for distinguishing the truth, the technique serves no purpose. We want the reader to decipher enough about what was being hidden to gather new meaning from the story. So don’t wait! Plant your clues early as with The Sixth Sense (1999).

Here are some things a writer can do to set up the final reveal of their unreliable narrator, but they can also act as clues to produce foreshadowing. Ultimately, to expose the narrator’s biased view, draw attention to the portion of the narrative deemed most credible either through behavior, environment, or comments from other characters. Here are examples of some techniques you can use:

  • Contradicting stories, mistakes, or inconsistencies
  • Repetition, exaggerations, or overemphasis
  • Symbolic representations and patterns of thought
  • Incomplete or missing explanation of events
  • Illogical information, time manipulation, or overlapping imagery
  • A questioning of the narrator’s health, sanity, or motives
  • An authoritative, expert, or trusted character revealing the truth
  • Outright omission by narrator on first page (often overlooked by reader)

Make sure to then hint at the cause for their unreliability (alcoholism, trauma, naiveté) and provide access to the truth (even if it is fleeting!) through flashback, diaries, news articles, other POV characters, et cetera. You should also hint at your narrator’s motivations, yet give them conflicting desires. This will keep the audience guessing about their true purpose and make for a compelling read.

Another tip for creating a compelling unreliable narrator is to give your protagonist a sense of innocence (i.e. a logical personal justification) even if they are deliberately deceptive because that will help put the audience on their side. But most importantly, keep it sincere. The key approach to writing unreliable narrators is to write them so they believe the story they are telling. Every good lie is based on a kernel of truth—that’s usually how the narrator reconciles reality with the version of the story they are telling. And if the narrator has no moments of truth or levity, readers will not buy their story. Gain reader trust by starting from a place of perceived genuineness.

In short, tapping into your narrator’s humanity is crucial.

The unreliable narrator is an effective technique mainly because we all have egos that play into our deceptions and we all sometimes wish the truth were different. If the lies and idiosyncrasies you create ring true, the reader will bow to your technique. But remember, the unreliable narrator is more than a literary device, it’s a fully realized portrait of humanity’s flaws.

If you want more information about unreliable narrators, you can order my new book Mastering the Art of Suspense: How to Write Legal Thrillers, Mysteries, and Chilling Crime Fiction, which will have an expanded chapter on the subject going deep on many of the techniques and topics mentioned here. Or you can register for the 30th annual Surrey International Writers’ Conference scheduled October 21-23 where I will once again give my talk on unreliable narrators along with a discussion on creating characters of color.

What techniques have you used to craft an unreliable narrator? Leave a comment!

Turning Fact to Fiction – Interview on Author Nation

Want to learn how to use real life headlines to inspire your fiction novels? Then you will want to join me and Melody Ann Owen, host and founder of Author Nation, as we discuss what it takes to turn fact into fiction. We’ll also analyze my journey from court stenographer to cozy author as a way to discover what it takes to write a compelling novel. So if you haven’t already picked up a paperback or ebook copy of How to Craft a Killer Cozy, please do so before the interview so you can follow along.

Tune in LIVE for this fascinating conversation on Thursday, January 20, at 3PM Eastern via YouTube. But don’t worry if you miss part of the event, the entire interview will be recorded for the Author Nation YouTube page. So make sure to like, subscribe, and bookmark the channel. Melody Ann’s site is a great resource for anyone interested in becoming a successful nonfiction author. She covers a myriad of topics from book planning to promotion and everything in between.

I’ll see you there! And be sure to come with questions as there will be a Q&A at the end for anyone who’d like to learn more.

Author Nation Interview – LIVE taping 1/16/22 3PM Eastern

A Cozy Mystery Chat With Colleen M. Story

I am proud to announce that my fantastic new writer productivity manual, How to Craft a Killer Cozy Mystery, is currently being highlighted on Writing and Wellness, a blog by Colleen M. Story that’s dedicated to helping artists “overcome modern-day challenges and find creative fulfillment.”

Words can’t express how excited I am to have entered into this partnership with Colleen, who herself is a freelance health writer turned wellness coach and fiction novelist. Her blog launched in 2014 and has highlighted the work of Funds for Writers founder and mystery master C. Hope Clark as well as fellow cozy enthusiast Diane Bator, so it is an honor to be in such excellent company.

During our chat, Colleen and I discussed several aspects of what it takes to write a killer cozy:

Want eye-opening tips on how to write successful cozies? We’ve got ‘em!
Want to avoid the main pitfalls of cozy writing? We tell you how!
Want to differentiate between your story’s hook and premise? We share the secrets!
Need to figure out why the four-act structure is so important to cozy mysteries? We break it down!

This is hands-down one of the best blogs you’ll read this year. Colleen does an excellent job distilling the essence of our conversation into a learning tool that you can take with you to the next level.

To steal a term from book publishing expert Jane Friedman: Be a good literary citizen! Visit Colleen M. Story’s website and enroll in her “How to Finish the Creative Projects You Start” workshop, or order one of her many Writer Wellness books—Your Writing Matters (2021), Writer Get Noticed! (2019), and Overwhelmed Writer Rescue (2017). All are available at Amazon, Barnes & Noble, and everywhere else books are sold. Also, don’t forget to subscribe to her blog. She hosts a new writer every week.

You can catch my rave reviews of Colleen’s work on Submittable and LitReactor, or leave your own comments about her work via Amazon.

Until next time, cuddle up and grab another killer cozy!

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